Biography of WATTEAU, Antoine (b. Among his most famous paintings, beside the two versions of the Pilgrimage to Cythera, one in the Louvre, the other in the Schloss Charlottenburg, Berlin, are Pierrot (long identified as "Gilles"), Fêtes venitiennes, Love in the Italian Theater, Love in the French Theater, "Voulez-vous triompher des belles?" He did not succeed, but he was accepted by the Académie as a painter of fêtes galantes—outdoor entertainments in which the courtiers often dressed in rural costumes—for his presentation of a scene depicting actors in a garden. Showing an early interest in painting, Jean-Antoine may have been apprenticed to … 1716–1717, Nationalmuseum, Stockholm, Les Plaisirs du Bal, ca. Watteau's final masterpiece, the Shop-sign of Gersaint, exits the pastoral forest locale for a mundane urban set of encounters. 1718, Getty Center, Los Angeles, La Boudeuse, ca. Watteau returned to France and spent his last few months on the estate of his patron, Abbé Haranger, where he died in 1721 perhaps from tuberculous laryngitis at the age of 36. François Watteau est le fils de Louis Joseph Watteau et le petit-fils de Noël Joseph Watteau (1689-1756), frère de Jean-Antoine Watteau.C'est donc le petit-neveu du peintre des fêtes galantes. 1717, Dulwich Picture Gallery, London, La Surprise, ca. He was born to the family of Jean-Phillip Watteau in October 1684. C'est un des plus grands représentants du rococo, il a produit près de 700 tableaux.Ses sujets favoris sont les paysages, le romantisme et les fêtes. [24] Famously, the Victorian essayist Walter Pater wrote of Watteau: "He was always a seeker after something in the world, that is there in no satisfying measure, or not at all."[25]:414. Ses dessins sont assez rares mais on trouve beaucoup de scènes champêtres. Jean-Antoine Watteau est le deuxième des quatre fils de Jean-Philippe Watteau (1660-1720), maître-couvreur, marchand de tuiles, et de Michelle Lardenois (1653-1727). Jean-Antoine Watteau (UK: /ˈwɒtoʊ/, US: /wɒˈtoʊ/,[2][3] French: [ʒɑ̃ ɑ̃twan vato]; baptised October 10, 1684 – died July 18, 1721)[4] was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. We do know that from a very early age he showed a talent for drawing, and it is telling that some of his childhood sketches are believed to be of travelling salesmen or tonic-selling qua… Antoine Watteau - Antoine Watteau - Watteau’s Cythera. [17] The Flemish painter would become one of his major influences, together with the Venetian masters he would later study in the collection of his patron and friend, the banker Pierre Crozat. [4], During this period Watteau painted The Departing Regiment, the first picture in his second and more personal manner, showing influence of Rubens, and the first of a long series of camp pictures. Some of his best known subjects were drawn from the world of Italian comedy and ballet. [8] Showing an early interest in painting, Jean-Antoine may have been apprenticed to Jacques-Albert Gérin, a local painter, and his first artistic subjects were charlatans selling quack remedies on the streets of Valenciennes. Biographie. His father, Jean-Philippe Watteau, was a roofer given to brawling. Très choyé de son temps par un petit groupe d'admirateurs, auréolé d'une légende romantique par le xixes., Watteau demeure de nos jours presque un inconnu malgré les prix fabuleux atteints par ses toiles ou le moindre de ses dessins. The elder Watteau forbid his son permission to visit the workshop of the village painter. Watteau alarmed his friends by a carelessness about his future and financial security, as if foreseeing he would not live for long. 1715, Museum of Fine Arts, Boston, Mezzetino, ca. [18], Watteau's final masterpiece, the Shop-sign of Gersaint, exits the pastoral forest locale for a mundane urban set of encounters. Watteau returned to France, spending six months with Gersaint,[17] and then spent his last few months on the estate of his patron, Abbé Haranger, where he died in 1721, perhaps from tuberculous laryngitis, at the age of 36. 1717, National Gallery, London, The Robber of the Sparrow's Nest, ca. The scene is an art gallery where the façade has magically vanished. In 1984 Watteau societies were created in Paris and London. However London's damp and smoky air offset any benefits of Dr. Mead's wholesome food and medicines. Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. Il est un des créateurs représentants du mouvement rocaille. Showing an early interest in painting, Jean-Antoine may have been apprenticed to Jacques-Albert Gérin, a local painter, and his first artistic subjects were charlatans selling quack remedies on the streets of Valenciennes. 1711–1712, Thyssen-Bornemisza Museum, Madrid. The oil painting shows an actor playing a guitar on a stone bench looking across at a couple locked in an amorous embrace. In 1720, he travelled to London, England, to consult Dr. Richard Mead, one of the most fashionable physicians of his time and an admirer of Watteau's work. A revived vogue for Watteau began in Europe during the Victorian era and was later encapsulated by the Goncourt brothers and the World of Art. 1715–1718, Hermitage Museum, Saint Petersburg[32], Pilgrimage to Cythera, ca. [16], Watteau then went to live with the collector Crozat, who eventually on his death in 1740 left around 400 paintings and 19,000 drawings by the masters. [31], La Perspective (View through the Trees in the Park of Pierre Crozat), ca. He showed the painting to Audran, who made light of it, and advised him not to waste his time and gifts on such subjects. 1987. Such a comprehensive record was hitherto unparalleled. BIOGRAPHIE DE ANTOINE WATTEAU - Peintre français, Antoine Watteau est né le 1 janvier 1684. However, London's damp and smoky air offset any benefits of Dr. Mead's wholesome food and medicines. He was the son of Jean-Philippe Watteau, master roofer and carpenter, who knew how to read and write, and was officially registered as … His drawings, typically executed in trois crayons technique, were collected and admired even by those, such as count de Caylus or Gersaint, who found fault with his paintings. Cette page fournit une liste de tableaux du peintre français Jean-Antoine Watteau, plus connu sous le nom d’Antoine Watteau (1684-1721). If his immediate followers (Lancret and Pater) would depict the unabashed frillery of aristocratic romantic pursuits, Watteau in a few masterpieces anticipates an art about art, the world of art as seen through the eyes of an artist. Sir Michael Levey once noted that Watteau "created, unwittingly, the concept of the individualistic artist loyal to himself, and himself alone". His many imitators, such as Nicolas Lancret and Jean-Baptiste Pater, borrowed his themes but could not capture his spirit. According to Konody's critical assessment in the Encyclopædia Britannica Eleventh Edition, in part, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". In 1712 he tried again and was considered so good that, rather than receiving the one-year stay in Rome for which he had applied, he was accepted as a full member of the Academy. Little known during his lifetime beyond a small circle of his devotees, Watteau "was mentioned but seldom in contemporary art criticism and then usually reprovingly". After a period spent as a scene-painter, and in poor healt… [4] This helped disseminate his influence round Europe and into the decorative arts. It has been compared with Las Meninas as a meditation on art and illusion. In Valenciennes he painted a number of the small camp-pieces, notably the Camp-Fire, which was again bought by Sirois, the price this time being raised to 200 livres. 1684, Valenciennes, d. 1721, Nogent-sur-Marne) in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900) Antoine Watteau (Jean-Antoine Watteau; Valenciennes, Francia, 1648 - Nogent-sur-Marne, id., 1721) Pintor francés. The Abbé said Watteau was semi conscious and mute during his final days, clutching a paint brush and painting imaginary paintings in the air. Watteau was born in October 1684[a] in the town of Valenciennes[1] which had recently passed from the Spanish Netherlands to France. Antoine Watteau was born on Oct. 10, 1684, in Valenciennes, the son of a prosperous roof tiler. Biography. The twist of her upper body is emphasised by the sharp turn of her head, and as she looks over her shoulder, her eyes cast down. Louis Joseph Watteau meurt le 27 août 1798 (10 fructidor de l'an VI) dans son logement de l'école centrale de Lille, rue des Arts. Quant à la chron… WATTEAU, ANTOINE (1684-1721), French painter, was born in Valenciennes, of humble Flemish origin. Turner was among his admirers. Upload Missing Images. [4] In 1726 and 1728, Jean de Jullienne published suites of etchings after Watteau's drawings, and in 1735 he published a series of engravings after his paintings, The Recueil Jullienne. [10][15] He took those five years to deliver the required "reception piece", but it was one of his masterpieces: the Pilgrimage to Cythera, also called the Embarkation for Cythera. In contrast to the Rococo whimsicality and licentiousness cultivated by Boucher and Fragonard in the later part of Louis XV's reign, Watteau's theatrical panache is usually tinged with a note of sympathy, wistfulness, and sadness at the transience of love and other earthly delights. [23] If his immediate followers, Lancret and Pater, would depict the unabashed frillery of aristocratic romantic pursuits, Watteau in a few masterpieces anticipates an art about art, the world of art as seen through the eyes of an artist. En 1717 il présenta son morceau de réception, le fameux \"Pèlerinage à lîle de Cythère\" , toile mélancolique et mystérieuse. [19] The scene is an art gallery where the façade has magically vanished, and the gallery and street in the canvas are fused into one contiguous drama. During his stay at the workshop, he took interest in creating his own style of painting. In any case, Watteau never made any references to his family in his work. Biographie : Jean-Antoine Watteau, plus connu sous le nom d’Antoine Watteau, est un peintre français devenu célèbre par ses représentations de « fêtes galantes ». Since he was a novice in the industry, H… Son œuvre fut jugée dune si grande qualité quil fut élu comme membre de plein droit de lAcadémie. and Mezzetin. The painting may be read as Watteau's wry comment on his mortal illness. : In 1712 Watteau tried once more to go to Italy. Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. Watteau was a prolific draftsman. En 1709, Watteau remporte le second prix de Rome. 1718, private collection, The Love Song, ca. [10] At the palace, Watteau was able to see the magnificent series of canvases painted by Peter Paul Rubens for Queen Marie de Medici. His father was a master tiler of Flemish descent. [10], His drawings attracted the attention of the painter Claude Gillot, and by 1705 he was employed as an assistant to Gillot, whose work, imbued with the spirit of the Renaissance, represented a reaction against the turgid official art of Louis XIV's reign. Une des principales sources de renseignements sur sa vie est la biographie rédigée par son ami le comte de Caylus. [11][12] In Gillot's studio Watteau became acquainted with the characters of the commedia dell'arte (which moved onto the théâtre de la foire following the Comédie-Italienne departure in 1697), a favorite subject of Gillot's that would become one of Watteau's lifelong passions. He did not attend formal education. The painting was sold at auction on July 8, 2008, for 15 millions of Euros, set a world record price for the artist. Watteau left for Paris in 1702. Since 2000 a Watteau centre has been established at Valenciennes by Professor Chris Rauseo. Audran was the curator of the Palais du Luxembourg, where Watteau was able to see the magnificent series of canvases painted by Peter Paul Rubens for Queen Marie de Medici. The gallery and street in the canvas are fused into one contiguous drama. Watteau. Watteau's silvery sketches depict three studies of the same model. A major exhibition in Paris, Washington and Berlin commemorated the 1984 tercentenary of his birth. Having little to learn from Gérin, Watteau left for Paris in about 1702. According to the 1911 Britannica, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". [13][4], After a quarrel with Gillot, Watteau moved to the workshop of Claude Audran III, an interior decorator, under whose influence he began to make drawings admired for their consummate elegance. In 1720, he travelled to London, England to consult Dr Richard Mead, one of the most fashionable physicians of his time and a fan of Watteau's work. Showing an early interest in painting, he was apprenticed to Jacques-Albert Gérin, a local painter. Afterward he moved to the workshop of Claude Audran III, an interior decorator, under whose influence he began to make drawings admired for their consummate elegance. Biographie de Jean-Antoine Watteau On sait peu de choses de la vie de Jean-Antoine Watteau - dit Antoine Watteau - l'un des premiers représentants du style rococo. The action is watched by a small dog in the corner. For further discussion of Watteau's early years in Paris, see. 1684-1721 Jean-Antoine Watteau est né à Valenciennes en 1684 dans une famille de maîtres-couvreurs. Watteau determined to leave him, advancing as excuse his desire to return to Valenciennes. Chronologie. The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. 1717–1720, Metropolitan Museum of Art, New York, Quellnymphe, ca. Jean-Antoine Watteau Biography October 10, 1684, supposed day of Watteau’s birth, is actually the date he was baptized at the church of St. Jacques in Valenciennes. 1719–1721, National Gallery of Art, Washington, D.C. L'Enseigne de Gersaint, ca. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. 1716–1718, Gemäldegalerie, Berlin, Actors of the Comédie-Française, between 1711–1718, Hermitage Museum, Saint Petersburg, Fêtes Vénitiennes, ca. His father, Jean-Philippe Watteau, was a roofer given to brawling. In Gillot's studio Watteau became acquainted with the characters of the commedia dell'arte (its actors had been expelled from France several years before), a favorite subject of Gillot's that would become one of Watteau's lifelong passions. His painterly language is an elegant camouflage of strong emotion by kindly sentiments and gentle manners. [26] A revived vogue for Watteau began in England during the British Regency, and was later encapsulated by the Goncourt brothers in France (Edmond de Goncourt having published a catalogue raisonné in 1875) and the World of Art union in Russia. Among his most famous paintings, beside the two versions of the Pilgrimage to Cythera (one in the Louvre, the other in the Schloss Charlottenburg, Berlin), are Pierrot (long identified as "Gilles"), Fêtes venitiennes, Love in the Italian Theater, Love in the French Theater, "Voulez-vous triompher des belles?" [9] After a period spent as a scene-painter, and in poor health, he found employment in a workshop at Pont Notre-Dame, making copies of popular genre paintings in the Flemish and Dutch tradition;[b] it was in that period that he developed his characteristic sketchlike technique. His nephew, Louis Joseph Watteau, son of Antoine's brother Noël Joseph Watteau (1689–1756), and grand nephew, François-Louis-Joseph Watteau, son of Louis, followed Antoine into painting. [14] In 1712 he tried again and was persuaded by Charles de La Fosse that he had nothing to learn from going to Rome; thanks to Fosse he was accepted as an associate member of the Academy in 1712 and a full member in 1717. The French painter Antoine Watteau was the catalyst of the Regency period of the rococo style. Additional Physical Format: Online version: Séailles, Gabriel, 1852-1922. The subject of his hallmark painting, Pierrot (Gilles), is an actor in a white satin costume who stands isolated from his four companions, staring ahead with an enigmatic expression on his face. In fact he had been sickly and physically fragile since childhood. He lacked aristocratic patrons; his buyers were bourgeois such as bankers and dealers. Jean-Antoine Watteauwas born in the Valenciennes region north of France. Link To This Page | 1711, Prado Museum, Madrid. The French painter Antoine Watteau (1684-1721) was the catalyst of the Regency period of the rococo style. Par la suite, le peintre aura la possibilité détudier toute une série de toiles baroques de Rubens, qui le marquent profondément. Painted at Watteau's own insistence, "to take the chill off his fingers", this sign for an art shop in Paris is effectively the final curtain of Watteau's theatre. In contrast to the Rococo whimsicality and licentiousness cultivated by Boucher and Fragonard in the later part of Louis XV's reign, Watteau's theatrical panache is usually tinged with a note of sympathy, wistfulness, and sadness at the transience of love and other earthly delights. Jean-Antoine Watteau was born in the Flemish town of Valenciennes, which had just been annexed by the French king Louis XIV. Viewed from left to right, she is first seen seated in a wooden chair, playing a guitar. Une petite poignée d'éléments précis jalonnent la biographie de Watteau. Style de peinture. He found no jobs and decided to work in a workshop at the Pont Notre Dame. His painterly language is an elegant camouflage of strong emotion by kindly sentiments and gentle manners. Painted at Watteau's own insistence, "in eight days, working only in the mornings ... in order to warm up his fingers",[19] this sign for the shop in Paris of the paintings dealer Edme François Gersaint is effectively the final curtain of Watteau's theatre. For the fictional character, see. Jean-Antoine Watteau was born in the Flemish town of Valenciennes, which had just been annexed by the French king Louis XIV. 1718–1719, National Galleries of Scotland, Edinburgh, The Love Lesson, ca. Son père, souvent querelleur, boit volontiers et se montre violent, ne devant probablement pas épargner à ses fils des coups, ce qui peut expliquer le repli intérieur du jeune Jean-Antoine et une phtisie précoce, l'influence de cette maladie se retrouvant dans le psychisme et dans les tableaux du peintre . Il réalise beaucoup de commandes pour les communautés religieuses et les notables de la ville. Watteau, Jean-Antoine - Les Plaisirs du Bal - Google Art Project (detail, the lady in black dress, the boy servant, and the dog).jpg 729 × 731; 328 KB Watteau, Jean-Antoine - Les Plaisirs du Bal - Google Art Project.jpg 4,625 × 3,697; 7.38 MB Antoine Watteau, in full Jean-Antoine Watteau, (born Oct. 10, 1684, Valenciennes, France—died July 18, 1721, Nogent-sur-Marne), French painter who typified the … Il commence son apprentissage de peintre à l’âge de dix ans chez Jacques-Albert Gérin, peintre valenciennois. There he found employment in a workshop at Pont Notre-Dame, making copies of popular genre paintings in the Flemish and Dutch tradition; it was in that period that he developed his characteristic sketchlike technique. The subject of his hallmark painting, Pierrot or Gilles, with his slowly fading smile, seems a confused actor who appears to have forgotten his lines; he has materialized into the fearful reality of existence, sporting as his only armor the pathetic clown costume. LAcadémie créera un genre spécialement pour lui : la \" f… A la mort de Gérin, en 1702, Watteau s’installe à Paris et poursuit ses études chez un graveur et décorateur de théâtre, Claude Gillot. Since 2000 a Watteau centre has been established at Valenciennes. Watteau was born in the town of Valenciennes in 1684. Born in Valenciennes, a city in northeast France that before 1678 had been part of Flanders, Jean-Antoine Watteau would always somewhat identify as a Flamand. He took five years to deliver the required "reception piece," but it was one of his masterpieces: the Pilgrimage to Cythera, also called the Embarkation for Cythera. The notable elements that make Watteau's style unique are the combination of his lofty content and brightly colored landscapes. [4] The quality of the reproductions, using a mixture of engraving and etching following the practice of the Rubens engravers, varied according to the skill of the people employed by Jullienne, but was often very high. Antoine Watteau (né en 1684 et mort en 1721) est un peintre français du 18ème siècle. La Surprise, painted around 1718, was known only through a copy in the collection at Buckingham Palace in London before the original was found during a valuation in 2007. His father was a master tiler of Flemish descent. His father was a tiler, who expected his son to become a carpenter or a tiler like himself. Trois ans plus tard, en 1712, il postule de nouveau. His father was a master tiler of Flemish descent. 1718–1719, Charlottenburg Palace, Berlin. His buyers were bourgeois such as bankers and dealers. [10], In 1709, Watteau tried to obtain a one-year stay in Rome by winning the Prix de Rome from the Academy, but managed only to get awarded with the second prize. and Mezzetin. In 1703 he was employed as an assistant by the painter Claude Gillot, whose work represented a reaction against the turgid official art of Louis XIV's reign. Ceres (Summer), c. 1717–1718, National Gallery of Art, Washington, D. C. "Watteau" redirects here. The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. [1] Watteau left for Paris in 1702. The Italian Comedians, ca. His father, a master tiler, was a violent man and perhaps this had a formative effect on his son. In 1702 he left his hometown for the French capital Paris. The Abbé said Watteau was semi-conscious and mute during his final days, clutching a paint brush and painting imaginary paintings in the air.[21]. Jean-Antoine Watteau Biography (1684-1721) A French rococo artist whose charming and graceful Watteau paintings show his interest in theater and ballet, Jean-Antoine Watteau is probably best known for his fetes gallants. (From Wikipedia), Copyright © 2002-2017 jean-antoine-watteau.org, This website is licensed under a Creative Commons License, This website is licensed under a Creative Commons LicenseCopyright © 2002-2017 jean-antoine-watteau.org, Jean-Antoine Watteau Biography | Life, Paintings, Influence on Art | jean-antoine-watteau.org, Order a Hand-Painted Reproduction of this Painting. In 1984 Watteau societies were created in Paris, by Jean Ferré, and London, by Dr. Selby Whittingham. Thus Watteau was able to spend even more time becoming familiar with the works of Rubens and the Venetian masters. In 1709 Watteau tried to obtain the Prix de Rome and was rejected by the Academy. Watteau was born in October 1684 in the town of Valenciennes which had recently passed from the Spanish Netherlands to France. Son goût pour les personnages de théâtre et les fêtes galantes trouve probablement ses racines dans cet apprentissage. He then repeats this pose from a slightly different angle. Gowing, Lawrence, and Michel Laclotte. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. [30], Marriage Contract and Country Dancing, ca. Le reste ne s'appuie que sur les témoignages, parfois contradictoires, de ses contemporains, sans qu'il ait été possible de les valider par des documents d'archive. These romantic and idealized scenes depict elaborately costumed ladies and gentlemen at play in fanciful outdoor settings. Watteau was born in the Flemish town of Valenciennes, which had just been annexed by the French king Louis XIV. It has been described as Watteau's Las Meninas, in that the theme appears to be the promotion of art. BIOGRAPHIE Jean Antoine Watteau, né à Valenciennes le 10 octobre 1684 et mort à Nogent-sur-Marne le 18 juillet 1721, est un peintre français. Although his mature paintings seem to be so many depictions of frivolous fêtes galantes, they in fact display a sober melancholy, a sense of the ultimate futility of life, that makes him, among 18th century painters, one of the closest to modern sensibilities. Watteau was born in October 1684 in the town of Valenciennes which had recently passed from the Spanish Netherlands to France. Jean-Antoine Watteau was the innovative artist who extended Rococo beyond architecture, interior design and sculpture to the canvas. Little known during his lifetime beyond a small circle of his devotees, Watteau "was mentioned but seldom in contemporary art criticism and then usually reprovingly". [citation needed], Pierrot Content, ca. It is generally agreed that Watteau was the Jean-Antoine Watteau baptised on October 10, 1684 in Valenciennes at the Eglise de Saint-Jacques. Jean-Antoine Watteau est le deuxième des quatre fils de Jean-Philippe Watteau (1660-1720), maître-couvreur, marchand de tuiles, et de Michelle Lardenois (1653-1727). Jean-Antoine Watteau is credited with extending the bounds of the Rococo era beyond architecture, furniture and sculpture and into painting. [20], Watteau alarmed his friends by a carelessness about his future and financial security, as if foreseeing he would not live for long. Antoine Watteau was born on Oct. 10, 1684, in Valenciennes, the son of a prosperous roof tiler. He found a purchaser, at the modest price of 60 livres, in a man called Sirois, the father-in-law of his later friend and patron Edme-François Gersaint, and was thus enabled to return to the home of his childhood. The Flemish painter would become one of his major influences, together with the Venetian masters that he would later study in the collection of his patron and friend, the banker Pierre Crozat. [17] His influence on later generations of painters may have been less apparent in France than in England, where J.M.W. His father, Jean-Philippe Watteau, was a roofer given to brawling. "A Watteau sets record at £12.36 million in an uneven Old Masters sale", "A Weight of Evidence: An Interview with Dr. Martin Eidelberg on the Watteau Abecedario", "Marriage Contract and Country Dance - The Collection - Museo Nacional del Prado", "Subjects, Society, Style: Changing Evaluations of Watteau and His Art", Alphabetical list of accepted paintings and copies at A Watteau Abecedario, Watteau paintings at the Web Gallery of Art, Works by Watteau in the collection of the, http://watteau-abecedario.org/default.htm, https://en.wikipedia.org/w/index.php?title=Antoine_Watteau&oldid=993475415, People of the Regency of Philippe d'Orléans, Members of the Académie royale de peinture et de sculpture, Short description is different from Wikidata, Articles with unsourced statements from April 2016, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Martin Eidelberg, watteauandhiscircle.org, This page was last edited on 10 December 2020, at 20:21. Il est un des premiers représentants du mouvement rococo. A catalogue raisonné of Watteau's drawings has been compiled by Pierre Rosenberg and Louis-Antoine Prat, replacing the one by Sir Karl Parker and Jacques Mathey;[27] similar projects on his paintings are undertaken by Alan Wintermute[28] and Martin Eidelberg,[29] respectively. On se perd dans les détails parfois contradictoires de sa biographie, dans l'histoire complexe de ses relations, parfois orageuses, avec ses amis, ses condisciples, ses maîtres et ses protecteurs, complexité qui reflète l'instabilité de son caractère et de son humeur. Interestingly, while Watteau's paintings seem to epitomize the aristocratic elegance of the Régence (though he actually lived most of his short life under the oppressive climate of Louis XIV's later reign), he never had aristocratic patrons. [22] Sir Michael Levey once noted that Watteau "created, unwittingly, the concept of the individualistic artist loyal to himself, and himself alone". Vers 1707-1708 il entre chez Claud… In fact he had been sickly and physically fragile since childhood. Il est mort le 1 janvier 1721. Jean-Antoine Watteau, plus connu sous le nom d'Antoine Watteau, né à Valenciennes le 10 octobre 1684 et mort à Nogent-sur-Marne le 18 juillet 1721, est un peintre français.