Alidoro sabotages Ramiro's carriage so that it breaks down in front of Magnifico's manor, forcing the prince to take refuge within. Don Magnifico, Baron Cenerentola's stepfather. After the one-time sale of their work to the theater impresario, they no longer had any exploitation rights and had to write new operas on an ongoing basis to generate income. Ramiro and Cenerentola are married, and celebrate their wedding at the palace. Mi credea" and the chorus "Ah, della bella incognita"). Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Courtiers follow, announcing that Prince Ramiro will come to visit while he searches for the most beautiful girl in the land to wed. Cenerentola's stepfather, Don Magnifico, hopes to use this as an opportunity to save his own failing fortune. He plays with the consonants grr, trr, rr to reinforce the feeling of amazement that follows the revelation of Cinderella. When Ramiro threatens Cenerentola's recalcitrant family, she asks him to forgive them. La del ciel nell’arcano profondo  –  Pisaroni. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera Cendrillon (Isouard), with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for Agatina o La virtù premiata, with music by Stefano Pavesi (first performed Milan, 1814). Ferretti replied, "despite my tiredness, tomorrow morning!" Ferretti had prepared a list of 20 themes, but none of them were financially or artistically suitable. After the rest of the family leaves, Cenerentola … Dandini tells them that he can’t marry two at the same time. Cenerentola, tired of being pursued by Dandini, tells him that she is in love with his servant. Principe! She embraces her relatives and everyone is moved by her generosity. DG with Teresa Berganza, Luigi Alva, Paolo Montarsolo under the direction of Claudio Abbado with the London Symphony Orchestra and the Scottish opera chorus. He chose not pride, not beauty, but the one with the good heart. I walked back and forth in my bedroom with my arms crossed and criss-crossed, and when God willed it and I saw the picture in front of me, I wrote down the draft for La Cenerentola. A furious Magnifico and his daughters return home, where they order Cenerentola, back in rags, to serve them. Ferretti, despite harboring some ill-will against Rossini (the maestro had refused a libretto of his for The Barber of Seville), nonetheless met with the composer and the impresario Cartoni and agreed to join the project. Cenerentola has to bring him a chair and Ramiro recognizes the bracelet on her hand. Dirección: Maestro Cesar Tello Don Magnifico: Javier Martinez. Rossini did not set it until a year after the premiere, possibly because the singer of the premiere was not technically versed enough. Joyce DiDonato has made a name for herself with this role. The sisters threaten her with beatings if she doesn’t stop with the song. He was pleased with it.” (source: Wikipedia). Don Ramiro descubre gracias al brazalete que la muchacha que sirve en casa de Don Magnifico es Cenerentola y se casa con ella. The quintet begins with a canon, and then changes into a beautiful contrapuntal quintet, which is first sung out very melodiously and then becomes more and more chaotic until total confusion is taking over. A replacement would have to be found. Synopsis:  The axle of the carriage Ramiros is broken. Cenerentola feels pity and secretly gives him coffee. Left alone with Cenerentola, Alidoro promises to take her to the ball himself, and that God will reward her kindness ("Là del ciel nell’arcano profondo"). Don Magnifico Dalla al Principe, bestia, eccolo lì. The facsimile edition of the autograph has a different aria for Alidoro, "Fa' silenzio, odo un rumore"; this seems to have been added by an anonymous hand for an 1818 production. This opera, as we know it from Mozart’s Buffo operas, is about a social theme, it is a ambiguous comedy. Watch it in an funny excerpt from the Ponnelle film adaptation. Ferretti worked through the night and had the first parts of the work ready as promised in the morning. Rossini then asked the librettist if he had some verses ready to start working on. Cenerentola because in the end she is ready to forgive, and Alidoro because he helps a regent to become an enlightened monarch. Thereupon they all go out, leaving Cenerentola by herself. The sisters want to chase him away. Nacqui all affano … non piu mesta  –  Berganza. A beggar arrives; her stepsisters, Clorinda and Tisbe, want to send him away, but Cenerentola gives him bread and coffee. Realizzata in … Les éléments surnaturels apparaissant dans le conte ne figurent pas dans le livret de Ferretti. Cinderella is identified not by a glass slipper but by her bracelet. The supernatural elements that traditionally characterize the Cinderella story were removed from the libretto, simply for ease of staging. Se trata del papel de Don … La Cenerentola premiered on 25 January 1817, and quickly gained popularity both in Italy and internationally, despite a cold initial reception by the critics. He finished the libretto in twenty-two days of breakneck work, and Rossini completed the score in an equally hectic twenty-four days. Synopsis: Also Don Magnifico, who just comes from the wine cellar is dumbfounded. He was a famous man all over Europe and his greatest success, the Barbiere di Siviglia, was not yet two years old. But a moment later Alidoro … Listen to the opening scene in a version by Jean-Pierre Ponelle in a stylish production which is almost in black and white. Clorinda and Tisbe finally find the prince. Signor … Altezza in tavola .. Mir par d’esser sognando – Abbado. He wants to chastise Cenerentola for the presumptuous request, but Ramiro and Dandini intervene. A loose adaptation of the Cinderella tale without the magic. Synopsis: In the dilapidated manor of Don Magnifico. There good mocha replaced the Jamaica tea. The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Orchestre de la Suisse Romande Grand Théâtre de Genève Chorus . Alidoro appears in his role as minister. Meanwhile, Don Magnifico has arrived in the wine cellar, where he dreams of becoming a princely cellar master. No one is there. Thereupon they all go out, leaving Cenerentola by herself. About. Ramiro rejects him mockingly and the three have to watch stunned as the Prince takes Cenerentola to the castle. Everyone present acknowledges that she truly is worthy of the throne. She sings of a king who married a common girl ("Una volta c’era un rè"). (Opera La Cenerentola) Teatro Luz y Fuerza, San Telmo, Cap Fed. Cecilia Bartoli’s interpretation sparkles with her joy of singing. Everyone is amazed that it is Cenerentola. Elizabeth DiFronzo Tisbe, Don Magnifico… Mikhail Smigelski Alidoro, philosopher. [4], "Opera Statistics for the 2008/09 to 2012/13 seasons show 137 performances", International Music Score Library Project, Libretto from Stanford University, in Italian only, Ciro in Babilonia, ossia La caduta di Baldassare, L'occasione fa il ladro, ossia Il cambio della valigia, Il signor Bruschino, ossia Il figlio per azzardo, Il barbiere di Siviglia, ossia L'inutile precauzione, La gazzetta, ossia Il matrimonio per concorso, La Cenerentola, ossia La bontà in trionfo, Adelaide di Borgogna, ossia Ottone, re d'Italia, Bianca e Falliero, ossia Il consiglio dei tre, Matilde di Shabran, ossia Bellezza e Cuor di Ferro, Il viaggio a Reims, ossia L'albergo del Giglio d'Oro, Moïse et Pharaon, ou Le passage de la mer rouge, Conservatorio Statale di Musica "Gioachino Rossini", Cinderella and the Prince, or The Castle of Heart's Desire, https://en.wikipedia.org/w/index.php?title=La_Cenerentola&oldid=980121760, Operas based on works by Charles Perrault, Articles containing Italian-language text, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 September 2020, at 18:43. Synopsis: Ramiro appears. For them, Cenerentola was a comedy, but it was also supposed to hold a moral. When she lifts the veil, there is general amazement, one because they are delighted by the beauty and the two sisters because they believe to recognize Cenerentola. Listen La Cenerentola (1992 Remastered Version), ACT 1: Noi Don Magnifico ... (Coro/Magnifico… He wrapped himself in his blanket, stretched out his limbs and, like the gods in Homer, fell asleep peacefully. Each of the numbers of this opera is a great piece, especially the ensemble scenes are of the greatest mastery. Synopsis: Don Ramiro’s envoys have arrived at the manor. I drank another glass of tea, agreed to the price and ran home. Dein ist mein ganzes Herz (Land des Lächelns), Dies Bildnis ist wunderschön (Zauberflöte), Madamina, il catalogo, Catalogue Aria (Don Giovanni), Unis dès la plus tendre enfance (Iphigenia). Don Magnifico will not allow Cenerentola to go along, however. While Montarsolo was a formidable actor next to his good voice, Dara had the virtuoso humour in his voice. To present the Cenerentola as a modest girl, he lets her sing a piece completely without ornaments. Gabriel Menendez Dandini, valet to the Prince. The prince and his valet have retired to Ramiro's country house in some confusion, as neither of Magnifico's daughters resembled the worthy bride Alidoro had described. A thunderstorm comes up. Más particularmente el canto. The next day I sent it to Rossini. Inside the defunct mansion of Don Magnifico, Angelina (Cenerentola, aka Cinderella) is busy working as the family's maid, while her stepsisters, Clorinda and … He has the task of researching the character of those who are willing to marry. He has a list in his hand stating that 3 daughters live in the household. The two look at each other and feel strangely attracted to each other. She wants to forgive her stepfather and his sisters and offers them forgiveness. In this recording you first hear the virtuoso coloraturas of Cecilia Bartoli, this great exceptional artist. Conciosiacosache...Noi Don Magnifico. And another crescendo. The ladies are outraged at the idea of marrying a servant. Cenerentola returns, and she and Ramiro are attracted to each other (duet: "Un soave non-so che"), but when he asks who she is, she's overwhelmed and flees. Another Concertato scene. Apparently effortlessly she sings her way through this aria. An overjoyed Ramiro steps forward; however, Cenerentola tells him that she's going home and doesn't want him to follow her. She is in the kitchen singing the song of the king’s son, who is looking for a woman and had the choic of three at a time. Dandini is still playing the prince and chatting with the sisters on behalf of Ramiro to check them for  Ramiro. The poet had serious doubts about the success of this opera; Rossini, on the other hand, predicted that it would conquer Italy in a year and spread to France and England in another: "the impresarios will fight for staging it, as well as the primadonnas for being able to sing it". The Fairy Godmother is replaced by Alidoro, a philosopher and tutor to the Prince. Ferretti proposed more than two dozen subjects without success. Don Magnifico claims that the third daughter died. Synopsis: The sisters excoriate Cenerentola and Don Ramiro wants to remind the prince of his daughters. Come un’ape ne’ giorni d’aprile  –  Desderi. Her Cenerentola of the sixties / seventies led to the rediscovery of this opera and today it belongs to the top 30 most performed operas. Rossini had a weakness for thunderstorm music, so you hear a lot of lightning and thunder from the orchestra pit. Angelina = Cenerentola (contralto) Prince Ramiro (tenor) Dandini, valet to the Prince (baritone) Don Magnifico, Cenerentola's stepfather (bass) Alidoro, Prince's former tutor (bass) Clorinda, Don Magnifico's older daughter (soprano) Tisbe, Don Magnifico's … Their stepsister Angelina, who is called Cenerentola and serves as the family maid, sings … Watch a hilarious staging form the paris opera. So all but Cenerentola make their way to the castle. Play La Cenerentola (1992 Remastered Version), ACT 1: Noi Don Magnifico ... (Coro/Magnifico) Song by Ian Wallace from the album La Cenerentola. Then the beautiful quintet “nel volto estatico” (6:30) unwinds. The Congress of Vienna, which ended a few years earlier, restored the prerogatives of the nobility after the French Revolution. The premiere took place in Rome in 1817. Cenerentola can’t believe her luck when she arrives at the prince’s castle. Synopsis: In the castle of Don Ramiro. Dinners is served and all have eyes only for the delicacies, except Ramiro and Cenerentola which are in seventh heaven. Rossini was in Rome and tasked with writing a new opera for the Teatro Valle, to be staged on St. Stephen's Day. She hands him over a bracelet and leaves the castle and asks him to look for her who is wearing the other piece of jewellery. His fast  sung syllables, the Presto-Sillabato, were legends. Meanwhile, Magnifico confronts the disguised Dandini, insisting that he choose one of his daughters to marry. I: ‘If I don’t fall asleep tomorrow morning.’ Rossini: “Good night! Born in Turin, he studied singing with Giuseppe Valdengo and … Nonetheless, the collaboration between composer and librettist got no easier, and Ferretti wrote only one more libretto for Rossini, the Matilde di Shabran, in 1821. (sorpresa riconoscendo per Principe Don Ramiro; si pone le mani sul volto e vuol fuggire) … So the other would have to marry the valet, which the two reject with indignation. Don Magnifico, in some embarrassment, explains that she is dead and silences Cenerentola’s protests with threats. Clorinda and Tisbe, daughters of Don Magnifico, are in the middle of one of their usual arguments. Par exemple, la pantoufle est remplacée par un bracelet afin d'éviter aux actrices de l'époque d'avoir à exhiber pieds et jambes aux yeux du public1. Dinners is served and all have eyes only for the delicacies, except Ramiro and Cenerentola which are in seventh heaven. In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Montarsolo was an outstanding actor. This piece is untypical for Rossini. Tutto e un deserto…un soave non so che  –  von Stade / Araiza. Rossini saved some time by reusing an overture from La gazzetta and part of an aria from The Barber of Seville and by enlisting a collaborator, Luca Agolini, who wrote the secco recitatives and three numbers (Alidoro's "Vasto teatro è il mondo", Clorinda's "Sventurata! But she rejects his advances, she is in love with his valet. Nacqui all affano … non piu mesta  –  Bartoli. The opera is now considered a staple of the standard repertoire.[3]. Ferretti: “I got tired of making suggestions and was half asleep in the middle of yawning: Cinderella. Carlo Rizzi Debutó como director de ópera en 1982, con … Dandini reveals to Magnifico that he is in fact only a penniless and powerless valet. Watch one she has done with that aria (see further below). Noé Colín cantante mexicano como Don Magnifico Miei rampolli femminini de la Opera "La Cenerentola" del compositor G.Rossini En idioma Alemán Cantantes Mexicanos. Synopsis. When Clorinda and Tisbe arrive, Dandini gives them a little test: he offers his "valet" to whichever sister the "prince" does not marry. Magnifico returns with his daughters. You will see another excerpt from Jean Pierre Ponelle’s comedic adaptation. The American is doing great masterclasses. The unfortunate father, with his financial ruin as real as ever, vows that he will have an explanation from the real prince. Cenerentola and Ramiro recognize each other's bracelets; the others comment on the situation (sextet: "Siete voi?"). Buenos Aires, 2014. Synopsis: Meanwhile Dandini gives Ramiro  a report about the sisters, whom he calls “arrogance” and “vanity”. “Would you have the courage to write me a Cinderella? La Cenerentola Libretto. All these operas are versions of the fairy tale Cendrillon by Charles Perrault. I, for my part, asked him: Would you have the courage to compose it?’ He: ‘When can I have a draft? He reminds the two, whoever becomes Princess, not to forget him. However, when he began to suggest topics for the new work, one after another was rejected: too serious for the Carnival season in which the opera would premiere; too frivolous; too expensive and difficult to stage. Synopsis: Their stepsister Cinderella has to do all the work. In fairy-tale times, Clorinda and Tisbe, daughters of Don Magnifico, are in the middle of one of their usual arguments. A storm is thundering outside. Cinderella is identified not by a glass slipper but by her bracelet. Alessandro Corbelli made his LAO debut in 2013 as Don Magnifico in La Cenerentola, returning in 2015 as Doctor Bartolo in The Barber of Seville. Born in Turin, he studied singing with Giuseppe Valdengo and Claude Thiolas. According to the account given by librettist Jacopo Ferretti, the genesis of this work - whose literary and musical aspects were both created with surprising speed began in December 1816. Ah che vedo! The final stretta of the duet is sung magically by the two singers. But Cenerentola gives him a task. Throughout most of the 19th century, its popularity rivalled that of Barber, but as the coloratura contralto, for which the leading role was originally written, became rare, it fell slowly out of the repertoire. Her duet with Don Ramiro is by Rossnian standards almost quiet. La Cenerentola no es exactamente una ópera bufa al estilo de L’italiana in Algeri, ... para la suerte de todos los presentes. Dandini says that decision has been made and he asks Magnifico what lifestyle the chosen one should have. Magnifico frets over the competition his daughters now face from the strange lady ("Sia qualunque delle figlie"), but Cenerentola isn't interested in the "prince," saying she's fallen in love with his servant. In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. This aria is incredibly virtuoso and difficult. Miei rampolli femminini  –  Montarsolo/Abbado. He is accompanied by a mysterious, veiled woman. As a prelude he took his old overture from the opera “La gazza ladra”, recitatives and three pieces were written by Luca Agolini. Peter Lutz, opera-inside, the online opera guide to LA CENERENTOLA by Gioacchino Rossini. Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream. The resonance at the beginning was moderate. Cinderella enters the room. They take their anger out on Cenerentola. Overhearing this, Ramiro is overjoyed and steps forward. Rossini certainly had a smile on his lips when he composed this sextet. For many Cecilia is the best Cenerentola on CD. He has just dreamed that his daughters will marry princes and that he will become ancestor of an illustrious family and, a desirable side effect: they would polish up his dilapidated finances. This evening he wants to choose the most beautiful as  his bride, the emissaries announce that he will visit themin a few moments. Thus Ramiro is an enlightened prince, in contrast to the spirit of the times, which got more autocratic again. (scuotendosi dal guardar Ramiro, e parte) Dandini Perseguitate presto Con i piè baronali I magnifici … Ponnelle was a workaholic and produced over 300 opera productions in 25 years. Enfin, l'acariâtre bell… If he really cares for her, she says, he will find her, giving him one of a matching pair of bracelets.